Wednesday, September 24, 2014

പൌലൊയുടെ മാർഗദീപം










പച്ചപുതച്ച   പള്ളിമേട

                                                       

                                                      അവിടെയൊരു വിശുദ്ധ ദേവാലയം



                                                      വയലൂർ ക്രിസ്റ്റ്യൻ ചർച്




പ്രാർത്ഥനയ്കായി കുന്നിൻ മുകളിലൊരു പള്ളി




                     ആ ദേവാലയത്തിന്റെ പടിക്കെട്ടുകൾ കയറി പൌലൊ കടന്നു വന്നു




                  കർത്താവിന്റെ മണവാട്ടിമാർ അവനെ പൂച്ചെണ്ടണിയിച്ചു സ്വീകരിച്ചു




                             അവർ തങ്ങളുടെ കൊച്ചു മാലാഖയെ അണിയിച്ചൊരുക്കി



                                     അനന്തരം അവർ അവളെ അവനോടു ചേർത്തുനിർത്തി


                         കർത്താവിന്റെ ക്രൂശിതരൂപത്തിനു മുന്നിൽ അവർ പ്രാർഥനയോടെ നിന്നു


             ബന്ധുമിത്രാദികളെ സാക്ഷിനിർത്തി പൌലോസ്  കൊച്ചുത്രേസ്യയെ മിന്നു കെട്ടി


 
 അനന്തരം ഹാരമണിയിച്ചും ബൊക്കെ നല്കിയും അവർ പുതു ജീവിതത്തിലേക്ക് ആനയിക്ക്പ്പെട്ടു

 വെള്ളരിപ്രാവുകൾ വാനിലുയർന്നു.....മാലാഖമാർ പനിനീർ  വർഷിച്ചു....പ്രകൃതി അവരെ അനുഗ്രഹിച്ചു.....


 അഥിതികൾ അപ്പത്തിനാലും വീഞ്ഞിനാലും സന്തോഷിപ്പിക്കപ്പെട്ടു


             പൌലൊ....നീ ചെയ്തതൊരു പുണ്യപ്രവൃത്തിയാകുന്നു.അതിന്റെ ഫലം നിന്റെ മക്കൾ മാത്രമല്ല മറ്റു കുഞ്ഞാടുകൾക്കും അനുഭവിപ്പാൻ  ഇടവരട്ടെ...ആമേൻ...

SWARALAYA





പാലക്കാടിന്റെ അഭിമാനമായ “സ്വരലയ പാലക്കാട്” കലാപ്രേമികൾക്കായി ഒരുക്കുന്നു രണ്ടു പരിപാടികൾ







“ഒരു ചെമ്പനീർപ്പൂ പോലെ” ഗായകൻ ഉണ്ണിമേനോനു ആദരം പാട്ടിന്റെ 33 വർഷങ്ങൾ

സെപ്റ്റംബർ 27
ലയൺസ് സ്കൂൾ ഓഡിറ്റോറിയം 10.00മണി
ഉത്ഘാടനം

ഇന്ദിരാ ഗാന്ധി മുനിസിപ്പൽ സ്റ്റേഡിയം 6.00 മണി
ഗാനമേള
ഗായകർ
                   

സുജാത,വേണുഗോപാൽ,കെ.ജി.മർക്കോസ്,കൃഷ്ണചന്ദ്രൻ,ഉണ്ണികൃഷ്ണൻ,ശ്രീനിവാസ്,വിധുപ്രതാപ്,ശ്രീരാം.പാലക്കാട്,മനോജ്.കെ.ജയൻ,മിന്മിനി,ലതിക,ഗംഗ,മൃദുലാ വാര്യർ,അനൂപ് ശങ്കർ,ദിനേശ്,ഉണ്ണിമേനോൻ
ദൃശ്യാവിഷ്കാരം;
ഷമ്നാ കാസിം,പാർവതിനംബ്യാർ,കൃഷ്ണപ്രഭ ടീം



 




28 സെപ്റ്റെംബർ 2014
10.00
ലയൺസ് ഓഡിറ്റൊറിയം
സെമിനാർ

ഇന്ദിര ഗാന്ധി സ്റ്റേഡിയം
ഗാനമേള   

                           


                       
ഗായകർ
യേശുദാസ്,എസ്.പി.ബാലസുബ്രഹ്മണ്യം,സുശീല,വാണിജയറാം,ചിത്ര,സുജാത,ശ്വേതമോഹൻ,ലതിക,മനൊ,വിജയ് യേശുദാസ്,മധുബാലക്രിഷ്ണൻ,ബിജുനാരായൺ,പ്രദീപ്സോമസുന്ദരം,രാകേഷ് ബ്രഹ്മാനന്ദൻ,ജി.ശ്രീറാം,അഫ്സൽ,നജിം അർഷാദ്,സുദീപ്കുമാർ,സതീഷ് ബാബു,,മീരാ നന്ദൻ

ദൃശ്യാവിഷ്കാരം
രചനാ നാരായണൻ കുട്ടി,മേതിൽ ദേവിക,പാർവതി നംബ്യാർ.




“സമന്വയം”
സ്വരലയ നൃത്ത സംഗീതോൽസവം 2014
ഇന്ദിരാ ഗാന്ധി മുനിസിപൽ സ്റ്റേഡിയം,പാലക്കാട്
                           
  
1.10.2014 
ഉത്ഘാടനം,ഗാനമേള-വാണിജയറാം

2.10.2014
വയലിൻ ഡ്യുയറ്റ്-ലത,നന്ദിനി

നൃത്താവതരണം
2.10.2014-ദീപ്തി വിതുപ്രതാപ്
4.10.2014-ഗോപിക വർമ
6.10.2014-അശ്വതി ശ്രീകാന്ത്
11.10.2014-ഷിജു മേനോൻ ലണ്ടൻ

മോഹിനിയാട്ടം
3.10.2014-പല്ലവി കൃഷ്ണൻ

ഭരതനാട്യം
5.10.2014-രൂപജോർജ്ജ്,വിദ്യാ സുബ്രഹ്മണ്യൻ
7.10.2014-പ്രിയദർശിനി ഗോവിന്ദ്
8.10.2014-ലക്ഷ്മി ഗോപാലസ്വാമി
10.10.2014-പദ്മ സുബ്രഹ്മണ്യം

കുച്ചിപ്പുടി
5.10.2014-ഷൈല സുധ

മണിപ്പൂരി നൃത്തം
7.10.2014-സുമൻ സരാവ്ഗി

ഒഡീസ്സി
9.10.2014-അരുണ മൊഹന്തി

കർണാടക സംഗീതം
3.10.2014-ശങ്കരൻ നംബൂതിരി
4.10.2014-ശ്രീറാം പാലക്കാട്
6.10.2014-ശ്രീലതാ നംബൂതിരി
8.10.2014-നെയ് വേലി സന്താനഗോപാലൻ

ഹിന്ദുസ്ഥാനി സംഗീതം
10.10.2014-രമേഷ് നാരായൺ

ഗസൽ
11.10.2014-ഗായത്രി

തബല ട്രയോ.
9.10.2014-ഉസ്താദ് റഷീദ് മുസ്തഫ.                                                                                                       
                                                  

Wednesday, September 17, 2014

കമിതാക്കള്‍


കമിതാക്കള്‍ ഒളിച്ചോടുന്നത്‌ കുറ്റകരമല്ലെന്ന്‌ കേരള ഹൈക്കോടതി. കാമുകീകാമുകന്മാര്‍ ഒളിച്ചോടുന്നതിനെ കുറിച്ച്‌ എഫ്‌ ഐ ആര്‍ രജിസ്റ്റര്‍ ചെയ്യാനും അന്വേഷണം നടത്താനും പോലീസിന്‌ അധികാരമില്ലെന്നും ഉത്തരവില്‍ പറയുന്നു.

കോഴിക്കോട്‌ കുറ്റിയാടി സ്വദേശികളായ കമിതാക്കള്‍ സംയുക്തമായി സമര്‍പ്പിച്ച ഹര്‍ജിയിലാണ്‌ ജസ്റ്റിസ്‌ എബ്രഹാം ജോസഫിന്റെ ഉത്തരവ്‌. ഗൗതം സുധാകരനും അനിഷിദ അബ്‌ദുള്‍ അസീസുമാണ്‌ ഒളിച്ചോടിയത്‌. അനിഷിദ കോളേജ്‌ ഹോസ്റ്റലില്‍ നിന്നും മുങ്ങിയെന്നാരോപിച്ച്‌ അവരുടെ പിതാവാണ്‌ കേസ്‌ ഫയല്‍ ചെയ്‌തത്‌. ജനുവരി 27 നായിരുന്നു സംഭവം. പരാതിയില്‍ ഗൗതമിന്റെ പേരുണ്ടായിരുന്നില്ല. സാധാരണ പരാതികള്‍ കൈകാര്യം ചെയ്യുന്ന മട്ടില്‍ പോലീസ്‌ അന്വേഷണം ആരംഭിച്ചു. കേരള പോലീസ്‌ ആക്‌റ്റില്‍ ഒരു പരാതി ലഭിച്ചാല്‍ എഫ്‌ ഐ ആര്‍ രജിസ്റ്റര്‍ ചെയ്യാന്‍ നിയമമുണ്ട്‌. അതനുസരിച്ച്‌ അന്വേഷണം പുരോഗമിക്കവെ കമിതാക്കള്‍ തങ്ങള്‍ക്കെതിരെയുള്ള പരാതി പിന്‍വലിക്കണമെന്ന്‌ ആവശ്യപ്പെട്ട്‌ ഹൈക്കോടതിയിലെത്തി.

ഹര്‍ജി പരിഗണിച്ച ഹൈക്കോടതി എഫ്‌ഐആര്‍ റദ്ദാക്കി. കാമുകിയും കാമുകനും ഒളിച്ചോടിയതിനകത്ത്‌ കുറ്റകൃത്യങ്ങളില്ലെന്നും അതിനാല്‍ അന്വേഷണത്തിന്റെ ആവശ്യമില്ലെന്നുമായിരുന്നു കോടതിയുടെ കണ്ടെത്തല്‍. ഇത്തരം നിസാരമായ കേസുകളില്‍ പോലീസ്‌ ഇടപെടരുതെന്ന്‌ ഉപദേശിക്കാനും കോടതി മറന്നില്ല. പ്രായപൂര്‍ത്തിയായ രണ്ടുപേര്‍ പ്രണയാതുരരായിരുന്നുവെന്നും അവര്‍ കല്യാണം കഴിക്കാന്‍ തീരുമാനിച്ചെന്നുമുള്ള കേസില്‍ എന്ത്‌ കുറ്റകൃത്യമാണുള്ളതെന്നും കോടതി ചോദിച്ചു.

വ്യക്തികളെ കാണാതാവുന്നതും വ്യക്തികള്‍ വിവാഹം കഴിക്കുന്നതും തമ്മില്‍ ഒരു ബന്ധവുമില്ലെന്നാണ്‌ കോടതിയുടെ നിരീക്ഷണം. വ്യക്തികളെ കാണാതാവുമ്പോള്‍ കണ്ടെത്തേണ്ടത്‌ പോലീസിന്റെ ജോലിയാണ്‌. എന്നാല്‍ കല്യാണം കഴിച്ച രണ്ടു പേരേം അന്വേഷിച്ച്‌ നടക്കേണ്ട കാര്യം പോലീസിനില്ലെന്നും ഹൈകോടതി ഓര്‍മ്മിപ്പിച്ചു.

നിയമത്തിനു മുമ്പില്‍ കുറ്റിയാടിയിലെ പെണ്‍കുട്ടിയും ആണ്‍കുട്ടിയും തെറ്റുകാരല്ല. കുറ്റകൃത്യങ്ങളില്‍ ഏര്‍പ്പെട്ടിട്ടില്ലാത്ത രണ്ടുപേരുടെ പേരില്‍ എങ്ങനെയാണ്‌ കേസെടുക്കുകയെന്നും കോടതി ആരാഞ്ഞു. മാത്രവുമല്ല ഇരുവരും കോടതിയില്‍ ഹാജരായി തങ്ങള്‍ക്കെതിരെയുള്ള എഫ്‌ഐആര്‍ റദ്ദാക്കണമെന്നും ആവശ്യപ്പെട്ടു.

മികച്ച സാമ്പത്തിക സ്ഥിതിയുള്ള കുടുംബങ്ങളിലെ പെണ്‍കുട്ടികളെ കാണാതാവുമ്പോള്‍ പോലീസിനെ ഉപയോഗിച്ച്‌ ഭീഷണിപ്പെടുത്തി. തിരികെ കൊണ്ടു വരുന്ന പതിവ്‌ കേരളത്തില്‍ വ്യാപകമാണ്‌. ഇതിന്റെ പേരില്‍ പോലീസുകാര്‍ ലക്ഷങ്ങള്‍ കൈമടക്കും വാങ്ങാറുണ്ട്‌. വരനെ കിട്ടിയില്ലെങ്കില്‍ വരന്റെ മാതാപിതാക്കളെ അറസ്റ്റ്‌ ചെയ്യുന്ന സംഭവം വരെ കേരളത്തിലുണ്ടായിട്ടുണ്ട്‌.

കോഴിക്കോട്‌ ഒരു ഗുജറാത്തി പെണ്‍കുട്ടിയെ തട്ടിക്കൊണ്ടുപോയ കേസില്‍ വരന്റെ സഹോദരനെ പോലീസ്‌ അറസ്റ്റ്‌ ചെയ്‌തിരുന്നു. അറസ്റ്റ്‌ ചെയ്യുക മാത്രമല്ല യഥേഷ്‌ടം മര്‍ദ്ദിക്കുകയും ചെയ്‌തു. ഒടുവില്‍ അയാള്‍ വീട്ടിലെത്തി ആത്മഹത്യ ചെയ്‌തു.

പണവും പ്രതാപവുമുണ്ടെങ്കില്‍ പോലീസ്‌ കൂടെ കാണും എന്ന സംഭവത്തിന്റെ ഉദാഹരണമാണ്‌ ഇത്‌.
http://malayalivartha.com/index.php?page=newsDetail&id=9241#sthash.DfmmNyno.dpuf

Sunday, September 14, 2014

windies 500th test

Vidyut Jammwal







Biography.
Actor and martial artist, Vidyut Jammwal (born 10 December 1980) works in Bollywood and South films. He is a trained martial artist since the age of three - specializing in Kalaripayattu - the mother of all martial art forms.

Jammwal made his acting debut in the 2011 with Hindi film Force (a remake of the Tamil film Kaakha Kaakha, alongside John Abraham and Genelia Deshmukh). His performance ear
ned him the Filmfare and IIFA Award for Best Male Debut.

Subsequently he was part of Telugu films like Shakti and Oosaravelli, both starring NTR. In 2012, Jammwal made his debut in Tamil cinema with Billa II, alongside the legendAjith. His next Tamil outing Thuppakki, alongside superstar Vijay became a blockbuster. In 2013, he was seen in Vipul Shah's action film Commando in a lead role. Although the film received a mixed critical reception, Jammwal gained appreciation for his portrayal of a commando in the Indian army, with noted critic Taran Adarsh mentioning that "COMMANDO clearly belongs to Vidyut and the liberty of watching him crushing everything and everyone in sight leaves you tongue-tied. He choreographed, designed and executed all the action and stunt sequences that were completely death defying and never before seen stunts without cables or body doubles on Indian screens proving that he truly is India's Next Gen action hero.

Description

Date of Birth - Dec 10, 1980

Place of Birth - Kanpur

Height - 5 ft 11 inches

Awards
Best Debut (Male) for "Force" - Filmfare Awards (2012)
Best Debut (Male) for "Force" - IIFA Awards (2012)
Best Actor in a Negative Role for "Thuppaki" - SIIMA Awards (2013)
‘Umeed Ka Naya Chehra’ for "Commando" - Zee Cine Awards (2014





How did your film journey begin?
I think my martial arts got me into the business. It made me realize that martial arts needed to have a greater showcase platform for its power to be shared with the world. That's when I came to Mumbai. I'd heard of casting for Nishikant Kamath's Force - remake of Kaakha Kaakha and I went in to audition and that's the start of my journey.

Tell us something about your family
I'm one of three children born in to a family from an army background. Owing to consistent changes in my dad's posting, we traveled and lived all over the country. It was very early in life that we learned about the enrichment via varied cultural experiences. That was what sowed the seeds of martial arts in me as well

How did Anjaan happen?
I was in Dubai for the SIIMA awards where I won the award for Best Villain for Thuppakki. That's where I met Lingusamy who told me that he thought I could do more and that he'd like to work together. I thought he was being polite but I got a call two weeks later inviting me for an audition for a part. It wasn't for a negative but a parallel lead character. I'm so glad it all worked out so well and I got a chance to work with a genius like him.

Murugadoss in one of his interviews had stated that he was very impressed with your discipline and drive to do roles. Did you impress Lingusamy in any such ways for Anjaan?
I'm so glad that Murugadoss sir said such nice things. I think it’s my base in martial arts and my army upbringing that gives me this sense of discipline and drive. That's something I live by. What Lingusamy sir thought is something only he can say. All I can say is that it was just fantastic to have worked with him and to have been a part of his genius cinematic experience.

How was Lingusamy to work with?
I have said this before and glad to say it again, he's undoubtedly one of the most brilliant directors of our time. His understanding of the film landscape and the nuances of each performance make him such a master. As an actor, you feel guided so amazingly that it feels almost effortless doing a scene. Above and beyond, he's a lovely human being and that's what I adore most about him.
Lingusamy is undoubtedly one of the most brilliant directors of our time

Can you elaborate on your role and working in Anjaan?

I can't reveal much about Anjaan as yet but I can definitely tell you that I'm not the villain. Suriya and my character are partners in crime, brothers in arms. It’s a role I haven't done before and I'm really excited about it. 

I've never been someone who's followed norm and I've had destiny lead my journey. So I'm sure every aspect of that journey is only for the greater purpose and good.
Suriya and I are partners in crime

Do you feel fortunate to have worked with three of the biggest Superstars of Tamil - Ajith, Vijay and Suriya, or do you look at them as another important set of roles that were offered to you?
Well to be honest I think working with great talents always helps you learn and evolve. It has been a blessing working with them and also with my super directors. And yes, my roles in the films have also been etched out really well ensuring my ability to make an impact.

Can you share your experience working with Ajith, Vijay and Suriya

All three have been great to work with. Ajith was my first co-star from the three which makes him and my relationship with him special. Working with him was a lot of fun and was a great learning experience. He's certainly one of the most charming men I've met.

Vijay, for most, may seem shy but he's one of the most comfortable people in their own skin. In addition to being a super dancer, on screen, he's extremely spontaneous, which may almost seem dichotomous to others who don't know him.

I've had a good time working with Suriya. Most part of our chats is pertaining to fitness and exchanging workout tips. He also possesses intensity in his performance along with a rare quality of emoting with his eyes. 
Vijay is extremely spontaneous

How do you manage Tamil? Have you picked up the language?
I have been working on it and have been picking it up. I've been exposed to a fair bit of the language and I'm looking forward to getting better with it for my future projects.

Till now, it’s only been anti-hero roles. When would you play hero’s role? You have got the looks and talent. Have you got any offers to play a hero’s role?
I have played the anti hero and I have received offers for positive roles too. I'm hoping to choose what works best. The idea is to do great work and consistently grow and evolve with every film as a performer. Scripts today don't bind characters within a clear black Vs white demarcation. The simple reason for that is - there is a grey element in all of us. So, we don't judge our on screen personas through that prism anymore. There can be a heroic tale of a so-called-villain and a heinous, almost villainous story of a so-called-hero. More so, with the greats like Rajinikanth having started their journeys as "villains" to becoming the legends they are, need I say anything more?
There is a grey element in all of us

Why do you think that people in Bollywood in general, to a larger extent, respect technicians from down south but not working in south Indian movies?
As I've mentioned before, the south content and techniques are more evolved and have been worked on extensively thus assuring their success measure. Whether or not to work in other industries other than Bollywood, I think that's each one's own decision and the two trends are mutually exclusive.
The south content and techniques are more evolved

Wasn’t the villain’s role in Holiday, (Thuppakki’s Hindi remake), not offered to you by Murugadoss or did you opt out of it?
No it wasn't brought to me.

You are playing Bodhi Dharma in Ram Madhvani's film. Is the film a remake of 7am Arivu? Did you take some tips from Suriya?
There's no similarity. The only commonality is the iconic character.

Working with Shruti Haasan in Yaara
She's definitely one of the nicest people I've worked with. She does carry forward the strong legacy of her family in her work, her talent and attitude.

What made you turn vegetarian all of a sudden?
There was never a reason as such. I decided to do it and it worked for me. I’ve been a vegetarian since the past 12 years and it feels great. It helps the body and mind operate with a certain amount of agility and lightness ensuring that your overall health is always at its optimum.

On being adjudged the PETA hottest vegetarian
It does feel great to be regarded on top of the pyramid for a belief that I've followed for so long.

How did you get involved in Kalaripayattu?
I didn't choose it...It chose me. I started training in Kalaripayattu (one of the oldest fighting systems that include strikes, kicks, weaponry and healing methods) when I was three. I lived in an ashram in Kerala till I was thirteen and during that time I learnt this art from my teachers and gurus. For me it wasn't out of the ordinary, it was just like learning any other art. Martial Arts is not my hobby; it was a game in childhood and now it’s my love
Kalaripayattu chose me

What are the other martial arts you are proficient in?
Kalaripayattu is the mother of all martial arts forms. All other forms find their roots in Kalaripayattu. I've separately trained in jiu jitsu, aikedo and capoeira.

Your tips on people aspiring to have a hot body

Be regular with your workouts. It's not just about going to a gym but having a sporting activity attached to your workout. Best sporting and fitness forms are running and sprinting. Ensure that you provide your body with the necessary sugars and salts. They are what the body needs, so don't deny yourself that. And finally, feed the body's nutritional needs and not the greed in the eyes!

I especially want to suggest a certain routine for those urban city dwellers who suffer from the woes of a fast paced work life and which makes them fall into the "I'm too busy - I don't have time" excuse trap when asked about keeping fit:

Exercise before work or during lunch hour. It's just about making those 45 - 60 minutes for yourself.

Schedule workouts in a way that they coincide with your favorite shows or with films you plan on catching on TV. It's a great way to ensure your mind is occupied and not thinking about the pain and boredom that it tends to attach to working out.

Get up early two mornings a week and ensure you make the most of that time being one with your body without any distractions.

Take a hard look at your schedule. To prioritize, you can cut something that's low on the list and that time can be used for workouts.

Find alternatives to the unhealthy food you snack on. Consider light biscuits, khakras, low calorie bhels, maybe even a fruit.

Find a way to make each workout day exciting. Keep your routine ever changing and try different things to get a sense if what you enjoy the most.

Whilst leading a sedentary life, ensure you get up every half an hour and take a walk around the office and come back. It'll not only help avoid the inertia attached to the constant sitting but will also serve as a break factor and give you thinking time.

Your regular meals may not have all the nutrition. Consider meal supplements - select a calcium and vitamin D intake which may be hard to get through natural foods.

Your fitness schedule
Stretching & kicking, jumping through specially designed and created obstacle courses, practicing weapon training using swords, sticks of different sizes with different forms and movement and creating realistic stunts with various permutations and combinations. A definite part of my training is close to 20 rounds of a 30 metre rope climb that I ensure I complete in the minimum possible amount of time. Other key elements also include floor submission and grappling along with blocks and punches. For me, groundwork routines such as submission, long holds, throws, stand up work and boxing are very essential to my training.  I believe that the body is like the tree trunk with branches, stems and leaves, representing how we walk, jump, run and kick - hence it must be entirely, yet separately nurtured.

Workout map:

In a week, I follow 5 days of martial art training and 2 days of weight training for an average of 6 - 7 hours a day in 3-4 hour intervals each.

I start with a 20 minute warm up
Running/ sprinting: 400 meters
3 rounds of 10 pull-ups, 15 push-ups, 20 squats, 50 metres of handstand walks.

I move into the rest of my regimen after comprising of martial art training - gymnastics, acrobatics, street stunts, tricking. Weight training includes extensive lower body training, squats, lunges, and calves along with upper body workout that includes roman rings, parallel bars and push-ups.

When I move from my weight training days to my cardio based martial arts training, I usually make my warm up more intense -
Warm Up: 20 - 30 minutes
Run 800 meters
50-lb dumbbell squat and clean lunges-30 reps each, 2 sets of 30 burpees

Separate focus: lower body workouts especially – legs and calves with squats and jumps. A lot of people who weight train tend to focus more of the upper body than the lower not realizing that the entire body needs to be strengthened for it to operate at its best.

New addition : With the addition of the anti gravity routines, done using the suspension equipment - rings, trapeze bars, suspension anchor, door anchors etc to support the exercise forms and asanas, I end up dedicating a good 40 minutes just to that.

Even though I train every day, I don’t follow a strict set regimen. I follow what my heart and what my body says and do what I want to – be it gymnastics, martial arts or weight training. The days I feel like my body needs rest, I ensure I take that little time out.

What do you like about Tamil films and who are your favorite actors?
The story and content offered by Tamil films are quite evolved. That's probably the reason why Hindi films have picked up so many Tamil remakes. The audiences have also evolved in their storyline sensibilities and that's given reason for great stories to be made. As far as actors go, MGR, Rajinikanth, Kamal Haasan are my favorites.
MGR, Rajinikanth, Kamal Haasan are my favorites

Who are the directors you wish to work with?
AR Murugadoss and Lingusamy again, Prabhudeva, Shankar, SS Rajamouli, and of course the new talented directors too.

Here is wishing Vidyut Jammwal all the best for Anjaan and all his future endeavors!
 
Vidyut Jammwal shared Storypick's photo.
So proud to have read this girl's tale of bravery, confidence and self belief. Sharing it with all of you....

It was a Saturday afternoon I had lunch with a friend in Gurgaon before I decided to head home. The metro for those who do not take it or belong to Delhi can get crowded and air tight to an extent that the Tupperware guys could take inspiration. I luckily managed to find a seat till Rajiv Chowk metro station (Connaught Place) where I had to change my train. The doors opened… Btw I was in a regular and not the women’s only coach – why is this little detail important for this post? Well the answer lies ahead.

So where were we? Yes, the doors opened and people began to flood in. I tried to push and nudge my way out but no luck. With a huge sigh I decided to get off at the next station - New Delhi. As I positioned myself close to the exit door I felt a sense of unease run through my body, like someone has pierced their gaze on me or someone is watching me. Suddenly I felt something touch me from behind. With half my mind on trying to get off at the next station I turned thinking it was someone’s bag or hand touching me repeatedly. I turned to see a man in a white kurta (long shirt) staring right at me and he had no baggage with him. In fact both his hands were clenching the railing next to him. But if both his hands were up there what was it that… I got my answer as soon as I lowered my sight. There beneath that long shirt I could clearly see that this man was UNZIPPED. I felt the blood rush to my head, boiling and fuming and fury ran through every nerve in my body.

Within that fraction of a second every single eve teasing incident, every darn face of those guys who had the guts to molest someone I know flashed in my mind. Before I knew my voice escaped my lungs and there I was screaming at the man who dared to mess with me.

‘KYA problem hai?’ (What is your problem?)
‘Kya samjh rakha hai saale?’ (What the hell do you think?)
‘Himmat kaise huyi teri?’ (How dare you?)

These were some of the things I uttered looking right into his eyes. He was startled and started blabbering that he is sorry and insisted that it was his hand that touched me by mistake. Your ‘HAND’ that comes out from your pants? How the hell was your zip open? I was screaming in a coach full of men and women. Did anyone come forward to help or even displayed basic courtesy to ask me what was wrong? The answer was a big unsurprising NO. I turned and spotted two men in fact smirking at me. Their silence tried my patience and ALL HELL BROKE LOOSE.

I held that (namesake) man’s collar and dragged him out of the train. He was on a loop mode ‘It was my hand, it was a crowded train’. The moment we set foot at the platform he managed to escape. I ran, with all the strength and courage in me, I ran after him making as much noise as I could. A few saw (the tamasha), the others gasped while one man in the uniform began to chase him. I went towards the other side and we managed to get hold of him. I yelled again How dare you? How did you dare to touch me? People like you make Delhi a nightmare for girls? You make us question every time before we step a foot outside. HOW DARE YOU?

People watched the guards dragging a man to the control room and a girl screaming at him. They only watched.

As we took him to the control room he told the police that I am mistaken, it was his hand that touched me by mistake and it could happen to anyone because it was a crowded train. “Ask her… it was my hand”, he said. 15 guards, all men turned towards me as he tried to shame me. But if he had the guts to do it I had the spine to say it. You see anger brings out the strength you never thought you had in you but in my case anger brought out a language I never thought I could use. I was outright and I had all the right to be – “Lift up that kurta and you will know exactly what touched me”. There. I said it out loud and clear. The guards felt outraged and charged at him. Within seconds he begged for an apology and suddenly the hand in question transformed into a part of his body he wished he never had. “Why would this girl lie? After all she is taking the blame on herself”, said the police officer to the criminal infront of me. He committed the crime, I raised my voice and yet somehow the shame was on me. That statement reflected the thought process of our society, in fact it said much more. I argued with the officer and told the man in question that I have lost NOTHING in this entire episode and in fact I will make him pay for this. He immediately begged for an apology and I instead, insisted to file an FIR. After a few calls, 5 friends of mine reached the station to back me up and how? They were equally angered and showed no mercy.

We moved to Kashmere Gate police station and I slapped a sexual molestation case against him. He was arrested and put behind bars immediately. I decided to not let this one go and appeared at the court on Monday to record my statement in front of the magistrate. Meanwhile this man has been moved to Tihar jail and will spend his time behind the bars until he gets bail.

You see there are several measures being taken to make our public spots and transport safe. Someone asked me as to why I did not take the women’s only coach? But honestly that’s not a solution. These reservations in fact paint the idea that it is not ok or safe for women to be in public spaces. It's debatable, I know but are reservations really improving the situation? Then what would?

I think the answer lies within us. Unless women put forward that is not OKAY for someone to touch and get away with it, nothing will change.

I could just bite the bullet and accept that I was eve teased or molested. Or I can raise my voice and instill the fear in the criminal instead of victimising myself. If this man has the guts to unzip in a metro full of people, he probably started off by doing something less offensive to another girl. Her silence was his encouragement. Remember every time you choose to ignore or walk away, you put someone else in danger.

So I urge women to respect their body and know that it’s okay for you to say that someone touched you without your consent and you have to muster the courage to reach out to the police. I insist please for the sake of womanhood – SPEAK UP!

By Megha Vishwanath
https://www.facebook.com/AksharaCentre